I've found it fascinating
to look for and find, according to the
idea or feeling I want to express,
the best angle for each shot.
That choice is intrinsically linked to that
of the entanglement of these shots.
That requires a very
precise view of the scene, as well
as a global view of the film.
I really think
those are very organic choices,
thus personal choices.
I liked playing with the flexibility
of the heart and with the implacable
logic at the same time.
VERSION
THE FILMMAKING